The group had already made critically acclaimed waves with Volume 1, but few could have predicted at the time of its release that Dilla's production, which combined portions of alternative, gangsta, and soul hip-hop, meshed with T3 and Baatin's deft lyrical flows, would become such a far-reaching influence. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest.Īll these elements would come together in a truly prodigious fashion in the early 00s, when Dilla and Slum Village would release their second studio album Fan-Tas-Tic Volume 2. ![]() A founding member of the trio, (alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. The contributions of the late Detroit producer James DeWitt Yancey -better known to the world as J Dilla- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. Live jazzy orchestral interpretations of the Jay Dee aka J Dilla produced Slum Village classic Fantastic Vol 2!
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